Ask the techie: How to use a foot pedal to listen to a videographer’s audio while you edit

The NCRA Technology Committee is taking your questions on topics surrounding realtime and technology. Send the questions you want the Technology Committee members to tackle to jcrfeedback@ncra.org.

Dear Techie:

Videotaped depositions are being scheduled more frequently for me lately. I’m one of those reporters who likes to listen to the videographer’s audio when proofing my transcripts — it’s so much clearer because of the witnesses and attorneys being mic’d up! I’d like to know how I can easily listen to the videographer’s audio with my foot pedal. I know I can convert the .mp3 file to a .wav file and then associate the audio with my transcript; but I want a simple and easy way to just listen to the .mp3 file. Help!

Playing footsie


Dear Playing:

It’s great to hear that you are getting more work! Congrats! Here are a few ideas on what to look for when you are considering a foot pedal.

Lynette Mueller, FAPR, RDR, CRR, a freelancer based in Memphis, Tenn., and Chair of NCRA’s Technology Committee, offered the following. 
Backup audio media (BAM) is the term used for any audio recording and can include the audio synchronization tool built into a court reporter’s computer-aided transcription (CAT) software. Here are three best practices related to audio backup:

  1. It is the obligation of a professional court reporter to stop the proceedings when the speed of testimony presents an issue, if you didn’t hear a word, or when speakers are talking at the same time.
  2. One must never rely on the audio backup to create an official record. Readbacks occur often during the proceedings, and you don’t want to play back the audio for your client when a readback is requested.
  3. If audio backup is requested by a client, check with your specific state rules in regard to your obligation to do so. If you do, however, provide a copy of the BAM, be sure to offer the same service to opposing counsel. Ensure that no off-the-record discussions are included in the recording.

NCRA has additional guidelines to help court reporters regarding best practices related to audio recordings. Look on the NCRA website for Section IV: Backup Audio Media in the COPE – Guidelines for Professional Practice.

Vpedal USB Transcription Foot Pedal, 3 Function

There are several options for good foot pedals for court reporters to aid in transcript production for playback of audio. I have used the vPedal for several years and love it! It works with my CAT software for those times I need it and it works seamlessly in conjunction with AudioSync. Look to your CAT software vendor if help is needed to set up the foot pedal for use during edit. Amazon is every court reporter’s friend and you can purchase the vPedal on Amazon.

For videotaped depositions, it’s always great when the videographer provides the audio backup. It’s a great resource for us, for sure! The witness and attorneys are mic’d up, and the audio is clear and crisp. Most of the CAT software requires a .wav file as the backup media. While there are plenty of options to convert the .mp3 from the videographer to a .wav file, sometimes there are occasions where it’s faster and easier to just upload the file to Windows Media Player and you’re good to go! Another added benefit of using the foot pedal is that it saves time because of not having to take your hands off the keyboard during edit. WMP is included in clean installs of Windows 10 as well as upgrades to Windows 10 from Windows 8.1 or Windows 7.

Things you’ll need to get started

  1. Foot pedal of choice. Mine is vPedal, as mentioned above.
  2. Foot pedal installation CD or get the Hot Keys application
  3. Windows Media Player software
  4. vPedal Windows Media Player Plug-in

Steps for Installation of Windows Media Player and Foot Pedal

  1. Connect the foot pedal following the instructions on your installation CD or from the Hot Keys application downloaded from the website. The installation CD will configure the foot pedal to the computer and install a control application from which you may set up shortcuts and commands. Again, if you wish to use the foot pedal within your CAT software, check with your vendor for assistance, if needed. I pinned my Hot Keys application to my taskbar for easy access!
  2. Install the vPedal WMP plug-in from their website. This plug-in has been tested on Windows XP thru to Windows 10.
  3. Here is a detailed list of steps to take once your plug-in has been installed.

Steps for uploading audio files to Windows Media Player

  1. Know the location of your audio file you wish to utilize.
  2. Open the WMP application. (I have it pinned to my taskbar.)
  3. Locate the videographer’s audio, select it, then highlight the file to drag it into the WMP application.
  4. Next, open up your vPedal Hot Keys application. My settings on the application: Back seconds step: 5; Forward seconds step: 5; Release seconds step: 2; Tap Enabled.
  5. Highlight the file you wish to listen to and double-click. The file will start to play.
  6. I strike the middle of the foot pedal to stop playback of the file.
  7. I strike the middle of the foot pedal to resume the audio.

Tip: If you have your audio file associated with your text file, you may want to consider using a text-only file when using the videographer’s audio within WMP. You could get two audio files playing at the same time when using the foot pedal.

WMP supports many different file types.  Learn more about Windows Media Player, troubleshooting problems, and how to customize Windows Media Player with easily installed skins, visualizations, and plug-ins for a new look and extra features.

Myrina Kleinschmidt, RMR, CRR, CRC, a freelancer and agency owner based in Wayzata, Minn., and a member of the Technology Committee, shared the following suggestions. 
We’ve used GearPlayer by TranscriptionGear for three years. The transcription software we were using before GearPlayer did not allow us to play back audio and view video files — only audio. We specifically switched to this software so that we could have the option of listening to audio alone or listen to audio and view the video — all accomplished with the ease of foot pedal control. With some witnesses it helps to be able to see their mouth while preparing a transcript (slurred speech, mumblers, low talkers, accents). Sometimes I like to verify if the witness nodded or indicated, so the video is also nice for that. If the videographer can give you the full video file(s) versus just the audio, then you have the full advantages of having mic’d audio and video viewing when needed in preparing the transcript.

Infinity USB Digital Foot Control with Computer plug (IN-USB2)

This link is all you need to know about the GearPlayer software. It’s $119 for each computer; so if you want it on two computers, you will need two licenses. You can download a full-feature free trial and test it for five days. I purchased the USB foot pedal from them ($49 at the time – IN-USB-2 Foot Pedal by Infinity). With this program you have the option of using a foot pedal or the keyboard and mouse, so you could try out the trial program without a foot pedal to see if you like it before purchasing.

It’s simple to use. I drag and drop the file into the work space. It figures out the format and will play it back. Some of the audio format files I’ve played on this recently are .mp3, .m4a, and a .wav file. For video format files, I recently have played back an .mp4 and .mov — all drag, drop, and play. The program has a built-in converter so if it doesn’t recognize the format, it will give you an option of trying to convert the file to something it can play. You can play back from the videographer’s video CD or DVD as well, no converting needed. A nice feature is you get audio feedback when rewinding and fast forwarding, sounding similar to the old tape dictation machines. Sometimes when I need to play a file and am not at a computer that has GearPlayer, I realize how much I like the feedback feature. It makes it easier for me to know when to stop rewinding.

Sound quality can be adjusted for soft voices and noise reduction, as well as playback speed. There are other features which I have not used that are all explained in this GearPlayer link.

Sandra Mierop, FAPR, RPR, CRR, CRC, a freelancer and agency owner based in Anchorage, Alaska, uses Express Scribe and offers the following.
I’ve used Express Scribe Pro for many years. A free version is available, but after I used it a couple of times, I made the purchase on Amazon. The Pro version accepts virtually any audio format, including videos.

Express Scribe Pro Transcription Software with USB Foot Pedal

Express Scribe has many features that help you work faster, including shortcuts for starting/stopping the audio, rewinding, forwarding, playing fast speed, and playing slow speed. I like the “auto backstep on stop” feature when scoping a video, allowing you to automatically rewind a word or two from where you left off. I up the speed to about 150 percent when proofreading with the foot pedal, and the audio is still surprisingly clear.

Express Scribe is very easy to use. Once you have it installed, it is just a matter of dragging and dropping an audio file into it, and you can begin listening immediately. A challenge with Express Scribe is that some of its shortcuts interfere with my CAT shortcuts, and those shortcuts cannot be changed in Express Scribe.

Tip: Save your codes when you purchase Express Scribe so that you don’t have to purchase it again when you change computers.

TechLinks: What you need to know to protect against cyberattacks

Cyberattacks are in the news again. And while the reports may focus on elections or high-profile attacks on government or financial organizations, cyberattacks on small- and medium-size businesses are accelerating and increasingly sophisticated.

In an effort to keep these kinds of issues at the forefront of members’ minds and give a general background and knowledge, we collected a number of links to articles that can offer information as you decide the best approach for you and your company. In addition, we’ve linked several TechLinks stories from the past year that discuss protecting yourself from various scams.

Nolo, one of the web’s largest libraries of free, consumer-friendly legal information, offers a few steps that small businesses can take to prevent being caught in a cyberattack: 1) maintain control over your security chain; 2) implement security and other protection measures; and 3) involve law enforcement after detecting a security breach. The article also offers advice on what to do after a cyberattack.

A May 29 article on Inc.com suggested that the majority of small businesses do not have a plan to protect against cyberattacks. The article goes on to offer four myths that small business owners might hold and four ways to protect your company.

The best defense is being aware of potential risks, reminds a May 4 article on Forbes.com. The article lists the top five ways that cyberattacks occur and offers ways to combat them. Hackers are looking to find the weak link in your organization, so make sure that everyone who works for you is aware of what to look for and how to avoid it.

Also see:

TechLinks: How to build a strong password

TechLinks: Is this email for real?

TechLinks: Staying safe online

 

TechLinks: What you should know about the GDPR for your business

Almost immediately after the General Data Protection Regulation (GDPR) went into effect, Facebook and Google were sued for sharing personal information. However, some experts believe that it is small firms that have the most to lose if found to be in violation of the regulation. If you are responsible for a website for a court reporting firm or association, you will probably want to pay attention to the GDPR requirements, since its repercussions are being felt worldwide.

The basics would consist of making sure that your site’s privacy policy is up-to-date, adopting cookies if your site doesn’t already have them, and, if you collect data on people using your site, what, if anything, you want to put in place to meet the GDPR requirements. Here are some resources to get you started:

Remember that privacy and confidentiality are important to reporters in relation to their clients. Like attorneys, court reporters receive a lot of information that they are required to keep confidential. “Ours is a profession where we are caretakers of others’ privacy, and we should carefully guard the confidential nature of what we are privy to,” says Keith Lemons, FAPR, RPR, CRR, a freelancer based in Nashville, Tenn., who is a member of NCRA’s Realtime and Technology Resources Committee. He points out that the fourth tenet of NCRA’s Code of Professional Ethics states: “Preserve the confidentiality and ensure the security of information, oral or written, entrusted to the Member by any of the parties in a proceeding.”

In the course of their work, many NCRA members learn people’s full names, social security numbers, addresses, and medical information, all of which can be considered information that should be confidential. Court reporters have adjusted their practices to accommodate the privacy and confidentiality needs for this information; for instance, reporters began adopting HIPAA-compliant practices to comport with HIPAA regulations which govern health information.

To aid reporters, NCRA has created guidelines for the outsourcing of transcription of court and medical information:

[E]nsuring the confidentiality and security of the information contained in the records that court reporters and health professionals create remains a fundamental and inviolable obligation. Whenever, during the process of creating the record,
the work in progress leaves the custody and control of the court reporter him- or herself, the accountability for the security and confidentiality of its contents and compliance with all applicable laws in the jurisdiction pass with it to the scopist, proofreader, transcriptionist, production facility, or whomever. …
NCRA notes that various jurisdictions already have laws or regulations in place to regulate, restrict or even prohibit the outsourcing of judicial transcriptions. NCRA supports full compliance with and effective enforcement of such statutes and the creation of additional law, regulation or standards that effectively and reasonably ensure the security of confidential judicial records.

If you haven’t done so recently, now would be a good time to review your business practices so that you are continuing to ensure the confidentiality and security of any records or other information on behalf of your clients. “These are all things that we have direct control over in regard to confidentiality,” says Lemons.

Here are additional links:

TechLinks: What you need to know about privacy issues and the GDPR

TechLinks: What you should know about the GDPR for your personal information

TechLinks: What you should know about the GDPR for your personal information

Attorney Mona Ibrahim, who advised several clients about how to comply with GDPR on their websites, wrote in the article “Why you should be reading the privacy notices choking your inbox” on polygon.com that it is useful for people to pay attention to the emails and notices with the changes. Although the rights are mostly for residents of the EU, others will benefit because so much of what takes place online is global. She lists a number of rights granted by the GDPR, including access to your data, asking to have your data deleted, the ability to restrict certain third-party activities, and more.

It’s all about consent. Ibrahim notes: “Consent must be specific, concise, easy to understand, and freely given. Individuals in the EU must also have the ability to withdraw consent in a manner no less difficult than it is to give consent.” Consent is even required if you want to continue communicating with people already on a list you’ve created — whether by email or mail.

A lot of the changes haven’t come to full fruition, so it’s likely that there will be attention directed toward this issue for the next few months. According to Ibrahim, “companies have plenty of incentive to pay attention to you moving forward if providing end users data protection solutions makes a company more attractive to you.”

The GDPR also offers a number of tools for consumers, including a way to download all of your data. Check out Gizmodo for more information.

Here are additional links:

TechLinks: What you need to know about privacy issues and the GDPR

TechLinks: What you should know about the GDPR for your business

TechLinks: What you need to know about privacy issues and the GDPR

The General Data Protection Regulation that was put in place by the European Union in May 2018 may seem unimportant in your everyday life, but anyone who owns a business that has a website or who subscribes to email from any website — which is probably most people — should be aware of what the regulations are and how they might affect you.

“This [regulation] has been coming for two years,” says Robin Nodland, FAPR, RDR, CRR, of Portland, Ore., a member of NCRA’s Realtime and Technology Resources Committee. “I would not be surprised if eventually we had similar rules and regulations enacted soon” in the United States. [Ed. note: A California regulation with some similar points is expected to go into effect in 2020.]

What is the GDPR?

The General Data Protection Regulation, more commonly called the GDPR, protects the private information of residents of the European Union. The personal data covered includes the names, user IDs, IP addresses, cookies, social media posts, and much, much more. The official standard for GDPR can be found at https://gdpr-info.eu. The GDPR went into effect May 25 of this year. And, even though they were based in the U.S., both Facebook and Google were immediately sued under the regulation for how they handled the private information of people based in the European Union.

You might think that your business or organization is too small to be affected — that only the big companies will be sued. However, some experts think that it is the small companies that will have the most to lose if they fail to put compliance measures in place. If your firm manages or stores any personal data of individuals residing in the EU, GDPR affects you.

Need more encouragement? Although it has yet to be determined exactly how U.S. companies will be held accountable, fines for non-compliance can range from €20 million (more than $22 million) to 4 percent of the company’s annual global revenue — whichever is higher.

Generally speaking, this regulation only applies to your organization if you have a “presence” in the European Union. The definition of presence is somewhat broad and likely will affect the majority of businesses and websites, even if they are not located in Europe. For example, you may be affected if you have:

  • A person on staff in the EU
  • Members in the EU
  • Events in the EU
  • EU country domain names
  • Products or services available for sale in Euros (or other local currencies)
  • Apps available within stores of an EU member country

The main thrust of the GDPR is that businesses need to be able to show that consumers have given clear consent for your business to collect any personal data. For this reason, many companies, both within the European Union and around the world, have revised their privacy policies and collection practices on their websites to account for the GDPR requirements. You will probably see that many websites are requiring a two-step sign-up or additional pop-ups noting that a website is using cookies or to request access to your location. For some sites that you visit regularly, you may want to enable cookies, which is a bit of code stored on a person’s computer so that the person can be identified and tracked as he or she moves through a website. For instance, the NCRA.org website uses cookies to allow members access to their personal information, such as their status on taking tests and current number of CEUs — two things that couldn’t be done easily without using cookies.

Even if you don’t have any members/customers/clients located in the European Union, it’s still smart to remain as GDPR-compliant as possible. Some United States regulators have even called for a personal data review here at home, saying America is no longer the leader in data protection.

Here are additional links:
TechLinks: What you should know about the GDPR for your personal information

TechLinks: What you should know about the GDPR for your business

Ask the Techie: Mixer recommendations

The Realtime and Technology Resource Committee is taking your questions on topics surrounding realtime and technology. Send the questions you want the technology committee members to tackle to jcrfeedback@ncra.org.

Dear Techie:

I’m in the market for a new mixer. Do you have any recommendations?

Mixing it up in the city


Dear Mixing:

It’s always great when you have the opportunity to update or upgrade your equipment, and doing so proactively lets you really research your choices. Good luck on finding the one that’s right for you!

There are many options available for a mixer out on the market, but our needs can be so specific. Here are our suggestions.

Lou Chiodo, CLVS, a videographer who has also earned NCRA’s Realtime Systems Administrator and Trial Presentation Professional certificates, of New York City, N.Y.:  I recently added the Zoom F8 – Recorder/Mixer into my deposition kit. I cannot say this is an inexpensive audio solution; however, I do believe that it is a crucial item in my audio workflow.

I was persuaded to select this model based on the following key features:

  • It is a professional field mixer and sophisticated recorder in one, with eight channels, in a lightweight, aluminum, tiny form factor.
  • It comes with flexible SD card recording options, providing redundant recording; safety track recording; or a combination of isolated channels with a second mix containing all channels.
  • It includes an iOS companion app for iPad or iPhone and it handles remote control of its mixing and recording features. (This app satisfies my only complaint of it having small knobs.)

If this mixer/recorder combo is for you, it is readily available online for $799 – originally priced at $1,000.

My preferred setup for recording audio for court reporters or their scopists is to always keep one of the left or right channel, peak signal levels, slightly lower or behind the other channel for safer recording and to prevent distortion or clipping. I then record all individual channels onto one SD card and a mix of all channels onto the other SD card during the deposition. The files are then available for immediate transfer to the reporter, especially for a next-day expedite.

 

Alan Peacock, FAPR, RDR, CRR, CRC, a freelance court reporter and captioner based in Mobile, Ala.: I do use a mixer for my court work. I like the Rolls MX410 4-Channel Microphone Mixer. I think professional XLR connections provide the best quality audio for any mixer, which is what most videographers use as well. You can buy the XLR in a variety of different lengths, so you can accommodate almost any room.

For captioning, I just use a simple Pyle Pro amp. What’s most important to me is the headset. You need something super light, since you’re wearing it most of the day. I prefer a full ear cup, so my favorite headset is the Bose Quietcomfort. You can find wired and wireless versions out there. Most of the wired ones have been retired, but there are plenty on eBay right now that you can get at a reduced price.

 

Scott Aaron, a videographer based in Memphis, Tenn.: I utilize the Shure SCM268 Microphone Mixer for my audio recording during depositions. It has four transformer balanced XLR microphone inputs and one transformer balanced XLR mic/line output. Each of the four line inputs are adjusted individually, giving you control for each person using a lapel mic. As with most mixers, the volume adjustments are easily made, ensuring a great-sounding final product.

The main reasons I chose this mixer are: 1) Reliability: This mixer has been tried and tested for many years with excellent reviews; 2) Compact size; 3) Cost: Around $200-$250. I have used this mixer for 11 years and have never had any issues.

 

Cheryl Erwin, a videographer, Nashville, Tenn.: Looking for the perfect audio mixer for depositions was a challenge. Most of the mixers we considered had far more functions than we needed. We did not need three bands of EQ or built-in effects. What we did need was a mixer that was lightweight and portable, with XLR inputs for good quality. We decided upon the ROLLS ProMIX-IV. It’s a four-channel mixer with four XLR connectors in and two out. It has four rotating input volume controls and two auxiliary out connectors, 1/4-inch phone plug, and a mini plug. This mixer also has 48-volt phantom power, which we don’t use because we have battery-powered condenser microphones. We have found that EQ is not necessary and four microphones are enough for most depositions. This mixer sells for about $150, it’s lightweight and fairly small, 6 in. x 4 in. x 3 in. The audio quality is outstanding!

 

Rob Sawyer, a videographer based in Memphis, Tenn.: I have used Yamaha and Peavey over the years for audio/video deposition units. All these units have four pro-level XLR inputs with individual volume controls for each microphone plus a master level and a separate level for the output. The mixed output is used to send the audio to the court reporter’s computer or audio recording device. Four inputs allows separate mics for each primary opposing lawyer, the deponent, and an overall room mic. The room mic is used primarily as a backup. I like Yamaha the best because it is compact and durable. The cost is usually $150-$200.

 

Julie Coulston, a videographer based in Jackson, Tenn.: I use a Shure Mixer that I purchased five or six years ago, and I am almost positive it has been replaced by a newer version, so I wouldn’t know which one to recommend to new videographers. For the court reporter audio, I use a TASCAM recorder that records onto an SD card. I can give it to the reporter on site, or I can email them the audio, which the reporter can download when convenient.

Ask the Techie: Microphone recommendations

The Realtime and Technology Resource Committee is taking your questions on topics surrounding realtime and technology. Send the questions you want the Committee members to tackle to jcrfeedback@ncra.org.

Dear Techie:

I am a court reporter who freelances with several different court reporting agencies. My trusty laptop is on its last legs, so I am going to purchase a new computer and will use my existing machine for backup purposes.

One of my upcoming assignments is a jury trial — a first for me. The courtroom is in an old courthouse and so I am unsure about the acoustics and whether I will be able to hear all of the participants. The voir dire is scaring me to death, actually. There will be no microphones for prospective jurors. I need my backup media to be as clear as possible.

Yikes! Please help! I need some guidance about which microphone options I should be considering.

Muddled Mike


Dear Mike:

Good luck on your upcoming assignment. It’s always good to go in prepared to handle anything. Here are a few recommendations from some of the Committee members.

Myrina Kleinschmidt, RMR, CRR, CRC, a freelancer and agency owner in Wayzata, Minn.: I have used many great microphones. Now I am using the SoundTech CM-1000 3.5 mm Omni-directional Conference Microphone. I use the SoundTech to connect to my separate recorder (Marantz Professional, which is plugged into a power strip). I have connected up to three via daisy chaining down a long conference table. There’s a USB version if you want to connect to a computer and then daisy chain more from there. The microphone costs about $39.

I currently use CaseCat and DigitalCAT, and I have a Dell Latitude; but I do not use a microphone with my computer at this time. In the past, I used the DepoBook Stealth Microphone and that was a plug and play, which worked well with my Latitude. Since all software and computers have different audio systems, it’s best to have your CAT company and the microphone company help you get the settings perfected.

I like the low profile of the SoundTech, the daisy chaining ability, and the fact the SoundTech can be plugged into my computer (USB version), sound amplifier (Pocketalker), or recorder.

I don’t use a microphone connected to my computer. I use the Williams Sound Pocketalker (personal amplifier, $189) on many of my depos. The SoundTechs connect to the Pocketalker as well. I set it all up and have it ready to go — if the deponent is difficult to hear, I then turn it on at the next break, or stop the proceedings and turn it on if need be. When I can hear the words more clearly in the first place while writing, I write better, have a better record, which means that I have an easier time editing and I am less tired at the end of the day.

Recently, I connected a lapel mic (Sony ECMCS3 Clip style Omnidirectional Stereo Microphone – about $20) to a low-speaking witness. The lapel mic was connected to the Pocketalker and then I had an earbud to listen with one ear. Also I recently used the Pocketalker on a two-week arbitration where the background noise was awful. I again connected lapel mics (using a splitter cable so as to have both mics go into the Pocketalker) and had the witness and the questioning attorney wear the mics. The arbitrators kept asking participants to repeat, while I had no difficulty hearing.

Lynette L. Mueller, FAPR, RDR, CRR, is a freelancer based in Memphis, Tenn.: I use the MXL AC-404 Conference microphone. This microphone is designed to capture crystal-clear intelligibility for multiple uses and has easy plug-in-play connectivity. Bonus: There are no drivers to download! It is compatible with Windows and Mac. For my Luminex, I utilize the Martel HGM-2. The cost is about $99, but check online for the best price. Some vendors offer free shipping. My go-to sources are either Amazon or B&H Photo Video. The cost of the HGM-2 is around $179.

I am on Case CATalyst. I find that the microphone settings that get me the best audio quality are as follows:

  • MXL Microphone Sound settings: Speakers Properties: Levels: Balance, 37; Advanced: 16 bit, 48000 Hz (DVD Quality)
  • Audio Settings in my software: 11025 Hz, 80MB/hr
  • HGM-2 microphone sound settings on Luminex: Microphone gain: 52%, Audio Format: ADPCM (14.7MB/hr)

As a freelancer, my court reporting assignments involve a variety of venues: depositions, arbitrations, hearings, and courtrooms. The number-one reason I landed with the MXL microphone is for the judicial reporting aspect. Backup media is an important tool for us. I go into several different courtrooms and am the official court reporter for trials and hearings. I wanted to ensure a seamless way to handle bench conferences. Since the courtrooms are on the small-ish side, it is easier to stay in my seat, slap some headphones on, and I’m ready to roll! Some other court reporters were using Scotch tape to adhere their microphone to the judge’s bench. Needless to say, the finish is wearing off on his bench. This conference mic has a low profile and will lay flat on any surface.

The second reason I bought the MXL was for the sound quality. I’ve utilized several different brands of PCs over the past five years. Each laptop has different specs for the audio quality. With each one of my purchases, though, this mic has always enhanced my BAM with generally no concerns.

The third reason was the USB plug-in-play. I like the idea of never having to install drivers. When I do have the need to switch to my backup computer, I know I am ready to go at a moment’s notice because of the plug-in-play feature.

 

Keith Lemons, FAPR, RPR, CRR, a freelancer based in Brentwood, Tenn., (and frequent JCR contributor): It depends on the venue. Right now, for most applications, I use my HGMUSB mic and set it up on the table for a deposition or on a tripod at the bench for bench conferences and normal courtroom sound. I also have purchased the SP-USB-Mic-Model-6-Plus from Sound Professionals that I can also use as a standalone mic in depos, or with two boundary mics at the bench and at the witness stand via a 10-foot cord. It sells for about $300 from Martel. The Model 6 plus with the boundary mics was about $525 together.

I’m currently on Case CATalyst, and I use the default settings on the USB mics. Using the noise-canceling feature may work in some really bad deposition suites, but I’ve found that noise canceling will keep you from hearing the whispered bench conferences. Most of the time, I keep the mics at about 80-90 percent, keeping watch on the sound bar provided by my CAT system. If it starts to run to red, I reduce the volume. If it barely registers, I increase it. I set my systems to always listen and set my default audio as the USB devices. That forces you to use an earbud or headphones to monitor or play back. But there’s nothing worse than having your monitor be your system speakers: You cannot stop the caterwauling feedback quickly enough.

I’ve bought the cheap ones and the not-so cheap ones. Frankly, I had a lot of problems because the Lenovo Yoga Power Converter interfered horribly with all of my USB mics. Once I bought a different computer, I could hear again with crystal clarity. So my reasons for setting on the HGMUSB mic were: 1) Reliability; 2) Sound clarity; and 3) Ability to adjust the sound easily. All USB devices are similar. Cost is not a true consideration when a lot of my cases are realtime jury trials. I have to hear. These mics (and a great pair of Bose headphones) allow me to hear the bench conferences without too much difficulty.

As far as microphones for my writer, I use the Martel HGM-2. It’s a condenser mic with a battery that lasts forever, almost. I’ve used this mic on my writer as a backup to the CAT system numerous times. A USB is subject to audio environmental whims more often than I’d like, and the writer backup stays consistently outstanding.

 

Lou Chiodo, CLVS, a videographer who has also earned NCRA’s Realtime Systems Administrator and Trial Presentation Professional certificates, of New York City, N.Y.: I use the following two types of microphones in every deposition. These particular models are somewhat pricey, but I believe the audio is as important or likely more important than the images. If you want a demonstration of why, put the news on your TV at home sometime and move to the next room; and you will (if audible) hear and understand the information. Try that with the picture only — and even stay in the room — and it likely will not convey the information being provided.

There are a myriad of available models and styles that may work for videographers and court reporters alike. The Audio-Technica AT899 lavalier microphone is designed to be mounted on or hidden underneath clothing. Its slim low-profile design is ideal for depositions and broadcast applications. The tailored frequency response accentuates the frequency response of voices while minimizing low frequency noise, such as the air conditioner in many board rooms where depositions take place. A low-frequency roll-off switch further minimizes noise due to hum, ambiance, and proximity effect. The AT899 features a condenser element with a cardioid polar pattern. The cardioid pattern is effective in minimizing noise and ambiance at the off-axis sections of the microphone capsule. (The most common unidirectional microphone is a cardioid microphone, so named because the sensitivity pattern is “heart-shaped,” i.e. a cardioid. The cardioid family of microphones are commonly used as vocal or speech microphones, since they are good at rejecting sounds from other directions.)

The U841A from Audio-Technica is an omnidirectional condenser boundary microphone for surface-mount applications. It is designed for surface-mount applications such as sound reinforcement, conferencing, television sound, and more. A boundary microphone is essentially a small diaphragm condenser mic mounted in a housing that directs the diaphragm parallel to the surface onto which it’s mounted. You can see a diagram of a boundary mic’s setup in the illustration above. The parallel setup allows the mic to pick up the sound that is reflected off the surface that it’s mounted to, such as a wall or table.

TechLinks: What you need to know about scanners

NCRA’s Realtime and Technology Resources Committee members tackled the subject of scanners this month to give NCRA members a leg up on finding the best solution in going paperless.

“Among the scanners I have used, the Fujitsu ScanSnap and also the Epson Workforce scanners are my two favorite,” says Dana Hayden, RMR, CRR, CRC, of Fayetteville, Ark. She offers the advantages and disadvantages of both.

Fujitsu ScanSnap iX500

Advantages

  1. It has a small footprint.
  2. It works wireless and wired.
  3. It will auto-detect two-sided and automatically delete blank pages.
  4. It will OCR, which makes the text in the PDF searchable.
  5. It can be set up so that the program automatically pops up when you open the dust cover/lid.
  6. Its scan destinations include Google Drive and email, as well as Dropbox, Sharepoint, Evernote, OneNote and SugarSync.

Disadvantages

  1. You cannot put in a preconfigured naming series with auto number advancing.
  2. It does not have a flatbed for scanning.
  3. You need to choose the highest resolution setting if scanning photos to get good quality.
  4. The wifi is awkward to set up.

 

Epson Workforce ES-400

Advantages

  1. It offers a preconfigured naming series with auto number advancing.
  2. It will OCR (optical character recognition), which makes the text in the PDF searchable.
  3. Epson offers great customer support.
  4. It can scan to destinations including Google Drive and email, as well as Dropbox, Sharepoint, Evernote, OneNote and SugarSync.

Disadvantages

  1. It does not have a flatbed for scanning.
  2. The OCR is slightly more clunky, but it uses ABBYY FineReader as an adjunct.

 

Dana Hayden, RMR, CRR, CRC

“Make sure you configure your default scans to automatically OCR (found in the scanner settings),” recommends Hayden.

“I find myself using a scanner app lately a lot,” says Christina Hotsko, RPR, CRR, Arlington, Va. “I’ll use it to scan in exhibits if the office needs something quickly. I’ve scanned over files to my scopist during a break on a long job. I scan in receipts to keep track of travel expenses. I’ve even had my passport scanned and saved on my phone when I needed to pull it up in a pinch.”

Hotsko recently started using the app, Adobe Scan, which she keeps on her smart phone. “It’s a little more user friendly and offers a few more options,” says Hotsko. “What’s convenient about a scanner app is you open it up and let the app do the rest. It searches for the document, image, or whatever you’re trying to scan, auto-captures a shot, and then adjusts and fits the captured image to page.”

With Adobe Scan, documents are stored in an Adobe DC account on your computer. Adobe Scan lets you search your photos for documents, and from there you can select which ones you need to send.

There are many scanning apps available for smartphones. “Try a few different apps and see what works with your style,” advises Hotsko.

Need more information?

Lynette Mueller, FAPR, RDR, CRR

Lynette Mueller, FAPR, RDR, CRR

Committee chair Lynette Mueller, RDR, CRR, of Germantown, Tenn., provided some additional resources to research the best scanner for your needs. “Document scanners are all about being able to process documents in a seamless way,” says Mueller. “I recommend purchasing a dedicated sheet-fed scanner rather than a flatbed one or an all-in-one device.”

PC Magazine, one of Mueller’s go-to sources for products, offered a chart on April 6 of best scanners.

TechGearLab, a well-known online tech review website, listed their favorite scanners of 2018.

Also in April, Best Reviews published a list of the best scanners. “My scanner is a Fujitsu ScanSnap, and it made this list,” says Mueller. “I absolutely love it for its size and fast scanning options.”

Still need convincing to go paperless? Mueller offered a number of reasons on her blog.

Additional Links

Lynette Mueller’s ScanSnap settings

How to reduce the size of a pdf file

Ask the techie: Condensing software

The Realtime and Technology Resource Committee is taking your questions on topics surrounding realtime and technology. Send the questions you want the technology committee members to tackle to jcrfeedback@ncra.org.

Dear Techie:

I am a freelance reporter and thinking about starting my own business. It’s so intimidating thinking about the many facets of running my own firm! First on my list: Which condensing transcript software should I be considering? There are so many options available that it makes my head spin and I’m not sure which one to choose. Please help!

Concerned About Condensing


Dear Concerned:

Congratulations on taking the next step in your career! Indeed, there are many things to consider when starting your own firm. Glad we are here to help get you started on the right track.

There are several options available for word indexing and condensing. Here are our suggestions.

Cheri Sullivan, RPR, of Memphis, Tenn.: We selected YesLaw after meeting them at the convention in Nashville in 2013. The customer support team has always been great to work with. It is easy to link exhibits, insert a signature/notary seal, insert a picture of the witness, and even place “original” or “copy” on the style page. All eight of us have been happy with YesLaw overall.

Robin Nodland, FAPR, RDR, CRR, of Portland, Ore.: We have ReporterBase, a.k.a. RB, for calendaring, transcript production, and invoicing. We produce the transcripts with RB. With it, we can digitally sign, hyperlink exhibits, and create bundles that include full size, condensed, and word indexes. We create these paperless PDF bundles for all clients. We still have clients that want paper and Etran as well.

Keith Lemons, FAPR, RPR, CRR, of Nashville, Tenn.: For cross-CAT platform use, our company uses Min-U-Script.

Myrina Kleinschmidt, RMR, CRR, CRC, of Wayzata, Minn.: After testing several programs, we decided that YesLaw was the best program for our needs. It’s easy to link the exhibits, and the transcripts look great. An added benefit is the transcript generator software integrates with their video synchronization tool so it is a good program to have in case you ever decide to try video/transcript syncing.

Alan Peacock, FAPR, RDR, CRR, CRC, Mobile, Ala.: I use Min-U-Script Pro. It’s easy to use, and the final product looks great! Support is available and very helpful as well.

Lynette Mueller, FAPR, RDR, CRR, from Memphis, Tenn.: I use Min-U-Script and absolutely love it! The exhibit linking is another great feature of this particular software. You may add in multiple users, along with their signatures and notary seals for electronically signing the transcripts. I can’t say enough good about it.

Dana Hayden, RMR, CRR, CRC, of Fayetteville, Ark.: I currently use YesLaw for all the reasons already mentioned: It’s very user-friendly, and they have good customer service. You can link exhibits, provide a link to the attorneys for them to download the transcript in every imaginable format (although you have to manually create and include the ptx version, which I would love to see YesLaw incorporate like Stenograph did in their CaseCAT), and all the attorneys have to do is click the link to download/save to their computer. It also has lock-out restrictions if needed, such as to send for read/sign only.

Send your questions about realtime and technology to the technology committee members at jcrfeedback@ncra.org.

Court reporters – legal videographers: How to change time in Windows 10 for syncing 

A blog by Kramm Court Reporting that was posted April 19 by JD Supra provides the steps necessary for court reporters working with legal videographers to follow to sync time before every deposition to ensure that timestamps on the transcripts match those on the video.

Read more.